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The information in the content below is very controversial, so use your intuition and critical thinking skills to discern it. Also, I am just someone who has come across a lot of celebrities and people who work in show business as part of my daily life.
I think I only understood the idea of replacements being possible on an intuitive level for a long time.
Please understand something very important as you read this thread. In between, I worked as much as possible doing things like voice over work, live events like industrial work at auto shows as a spokesmodel, and TV and film bit parts. I was lucky to work steadily during the time I was a professional actress.
I never took work as a waitress, for instance, to keep me going between jobs. I seemed to always have a gig going on. And many of them were a LOT more talented than I was.
Show business is just a brutal, brutal industry. The competition for women is also horrible. For every fifty women who would audition for a show, there would be one or two men. This was at the Actors Equity offices in New York. And then you have the horrible math of the shows themselves.
Almost always, there would be about two major female roles to about 10 — 15 male roles in a given show. So to get a major speaking role, let alone a major role, as a female performer took a helluva lot of work — and some talent.
I only ever worked in major roles as an actress with the exception of one dinner theater musical I did as a chorus player. So I think I was pretty good back then!
In the stage world, which centers in New York, you have the Gay Mafia running things. Befriend this crowd and you will continually get work. I had written a play once that a former Broadway producer was looking at.
At one point, she pissed off some of the gay males who run the industry in New York. And she literally became homeless almost overnight from blacklisting. This makes for a very weird dynamic when you seek stage work in New York, as I did.
They got me work. So the only work I got in the theater from my New York auditions was from gay male directors. On the flip side of things, if you were a gay man auditioning for work and a gay male director was casting, you also needed to be ready to sleep with the director.
One of my friends was very willing and got a supporting role in a Broadway musical — but the show bombed, unfortunately. I am explaining the background here about the stage world. Most of my steady work came from auditioning in New York for theaters that were out of town, so I travelled and did tons of work up and down the East Coast.
A lot of the jobs were very fun again, because I worked for either gay male directors who admired me or straight female directors who simply cast me for my talent.
I mostly did comedies, kids shows, and period pieces like Shakespeare, with a few musicals thrown in. Stage work can be very beautiful because you get to project loving and positive energy to a crowd and attempt to share something uplifting or educational with the masses.
All of the actors I knew were very sweet, and we all tended to be the typical right-brained creative types who were idealistic and naive about the world.
And often very, very over-sexed. Any cast I was in always became an orgy of almost everybody sleeping with everybody else! Then that person was usually elevated to a position of power — they suddenly took over the lead, for instance, with the original person suddenly not showing up for work, etc.
I will continue that story in my next post.Politique de confidentialité FILMube. Cette politique de confidentialité s'applique aux informations que nous collectons à votre sujet sur nationwidesecretarial.com (le «Site Web») et les applications FILMube et comment nous utilisons ces informations.
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