An analysis of shakespeares a deep passionate and learned man expression

Metaphysical poetry typically employs unusual verse forms, complex figures of speech applied to elaborate and surprising metaphorical conceits, and learned themes discussed according to eccentric and unexpected chains of reasoning.

An analysis of shakespeares a deep passionate and learned man expression

The newness of his ideas and the vigor of his style captured the attention of his lecture audiences and contemporary readers, and continue to move readers today.

The Passionate Pilgrim First published by William Jaggard in , this collection of poems, in its entirety, is commonly attributed to Shakespeare. However, a number of the poems were written by others including Richard Barnfield, Bartholemew Griffin, Christopher Marlowe, and Sir Walter Raleigh. In Shakespeare's Sonnet a unique expression of love is presented by the writer to his mistress. His Iambic pentameter, John Keats, deep understanding of humanity, and tolerance of all people (“Shakespeare, Sonnet Analysis. Shakespeare's Sonnet is a parody of the traditional love poem. Within Shakespeare's sonnets, scholars have focused, some obsessively so, on the true identities of the young man of the first seventeen sonnets, the dark lady of sonnets to , and the so-called rival poet of sonnets 78 to

Emerson expressed the idealistic philosophy underlying his writings with conviction. The degree to which he himself was moved by his thoughts on God, man, and nature enabled him to strike emotional chords and to inspire understanding in the reader. Although he dealt with abstruse concepts, his writing nevertheless possesses clarity, directness, and careful progression from one idea to the next.

Difficult concepts are elucidated through analogy and metaphor. Moreover, individual perceptions and ideas progress toward broad generalizations that sweep the reader along.

This impression is reinforced by his propensity for adapting existing words into his own unique creations and for employing quotable maxims.

His rhetorical style builds up to peaks of language and emotion. The rise and fall of emotional intensity in the poetry parallel the crescendos and cadences of the essays.

There are considerable stylistic differences among the poems. But his interpretation and synthesis of his antecedents and contemporaries were his own. More than any other thinker and writer of his period, Emerson defined in his work what we think of as American Transcendentalism.

From before the publication of Nature his first, most comprehensive exposition of the principles of Transcendental philosophyevery lecture that he gave and every piece that he wrote elevated the importance and dignity of man as an expression of God, as a part of the unity of God, man, and nature in the Oversoul.

The assumptions underlying Nature invalidated the subordination of the individual in more traditional religious, social, and political frameworks.

As a plant upon the earth, so a man rests upon the bosom of God; he is nourished by unfailing fountains, and draws, at his need, inexhaustible power.

Who can set bounds to the possibilities of man? Emerson not only uplifted mankind to oneness with, rather than subservience to, God. He also suggested a distinctly democratic view of each man as equal in worth and capacity to all other men.

Human hierarchies, distinctions between the great and the humble, were irrelevant in measuring the value of the individual. Yet line for line and point for point, your dominion is as great as theirs, though without fine names.

Build, therefore, your own world. Emerson asserted a kind of democracy far more basic than any political or social system can promote. Emerson perceived the particular man who had achieved distinction in some way as a demonstration of the possibilities of all men.

He proclaimed in "The American Scholar" The main enterprise of the world for splendor, for extent, is the upbuilding of a man. Here are the materials strown along the ground.

The private life of one man shall be a more illustrious monarchy, — more formidable to its enemy, more sweet and serene in its influence to its friend, than any kingdom in history. For a man, rightly viewed, comprehendeth the particular natures of all men.

An analysis of shakespeares a deep passionate and learned man expression

Each philosopher, each bard, each actor, has only done for me, as by a delegate, what one day I can do for myself. Emerson was fascinated by the attributes — both positive and negative — of a variety of exceptional individuals. But he focused on these men not so much to highlight their particular excellences as to suggest the potentialities and aspirations of humanity as a whole.

As to what we call the masses, and common men; — there are no common men. All men are at last of a size; and true art is only possible, on the conviction that every talent has its apotheosis somewhere.

Fair play, and an open field, and freshest laurels to all who have won them! But heaven reserves an equal scope for every creature. Each is uneasy until he has produced his private ray unto the concave sphere, and beheld his talent also in its last nobility and exaltation.

Emerson saw the external limitations imposed by civilization, society, institutions, and materialism as greater impediments to individual self-realization than the differences of gifts among men.

Man is capable of much — imagination, insight, morality, and more — but all of his aptitudes derive from his intimate relationship with a larger, higher entity than himself. Emerson expressed the essential oneness of man with the divine in his essay "The Over-Soul": We know that all spiritual being is in man.

The walls are taken away. We lie open on one side to the deeps of spiritual nature, to the attributes of God. The divine is accessible because God communicates directly to man.

Moreover, the influence of the divine on each individual grants the unlimited possibility of higher development, "the infinite enlargement of the heart with a power of growth. The simplest person, who in his integrity worships God, becomes God; yet forever and ever the influx of this better and universal self is new and unsearchable.

Nature, which, as Emerson wrote in "Idealism" Chapter VII of Nature"is made to conspire with spirit to emancipate us," forms a third part of the equation between the divine, the human, and the material.Test your Shakespeare quote knowledge with our Shakespeare quote quiz – simply match the 10 Shakespeare quotes to the correct play!

Watch students from the Shakespeare School work their way through 38 famous Shakespeare quotes . Macbeth's motives, weaknesses and lack of self-expression.

An analysis of Macbeth's six main traits. The following analysis of Shakespeare's Weird Sisters is an excerpt from the book, Introduction to the Characters in Macbeth. - Sonnet Shakespeare was obviously a very deep, passionate and learned man; he was very open with how he felt and was able to express it in a way that was very exact and easy to comprehend.

Shakespeare in Love, a fictional account of the life that inspired the art-Romeo and Juliet, is an excellent and lamentable original screenplay by Marc Norman and playwright Tom Stoppard, its every word and staged action a tribute to the Bard.

An analysis of shakespeares a deep passionate and learned man expression

Titus Andronicus portrays a horrific view of sexuality that suggests there's an inherent ugliness in desire. Demetrius and Chiron view the act of rape as a speedier, more convenient alternative to courtship, and most character see Tamora's adulterous affair with Aaron as an activity that "stains" Tamora's "honour" black like Aaron's skin color .

- Sonnet Shakespeare was obviously a very deep, passionate and learned man; he was very open with how he felt and was able to express it in a way that was very exact and easy to comprehend. simple work, introduced a new era of poems. Shakespeare's expression of love was far different from traditional sonnets in the early s, in .

An analysis of the five primary kingdoms classification by r h whittaker